Frank Mitchell

Racehorse Breeding Theories


The First Horse-Song of Frank Mitchell (Blue)
Navajo
Key: wnn N nnnn N gahn
All ahrenow some ‘re there & mine all (gahn) & some (gwing) there are mine all (gahn) & some
(gwing) there ‘re mine there nnnn N gahn
All ahrenow some ‘re there & mine all (gahn) & some (gwing) there are mine all mine all (gahn) &
some (gwing) there ‘re mine there
(Nnnnn N gahn) because I was the boy raised ing the dawn & nnnn but some there are mine all
(gahn) & some (gwing) there ‘re mine there
(Nnnnn N gahn) & in the howse the bluestone home & mmmrrr but some there’re all (gahn) &
some (gwing) there ‘re mine there
(Nnnnn N gahn) & in the howse the shiningwingNdgahn & some there are mine all (gahn) & some
(gwing) there ‘re mine there
(Nnnnn N gahn) & ing the swollenowse his breath has blown & nnnn but some there are mine all
(gahn) & some (gwing) there ‘re mine there
(Nnnnn N gahn) & ing the howse the hoNloly home & mmmmm but some there ‘re mine (gahn) &
some (gwing) there ‘re mine there
(Nmmmm N gahn) nndin the house of precious cloth we walk (p)pon (N gahn) & nnn but some
there are mine all (gahn) & some (gwing) there ‘re mine there
(Nnnnn N gahn) N prayersticks that are blue N wwnnn but some there ‘re mine (gahn) & some
(gwing) there ‘re mine there
(Nnnnn N gahn) with my feathers that are blue N wwnnn but some there ‘re mine all (gahn) &
some (gwing) there ‘re mine there
(Nnnnn N gahn) with those spirit horses that are blue & wwnnn but some there ‘re mine all (gahn)
& some (gwing) there ‘re mine there
(Nnnnn N gahn) with those spirit horses that are blue & dawn N nnnn but some there are mine all
(gahn) & some (gwing) there ‘ re mine there
(Nnnnn N gahn) with those spirit horses that are bluestonawu N nnnn but some there are mine all
(gahn) & some (gwing) there ‘ re mine there
(Nnnnn N gahn) with those horses that are bluestone & nnnn but some there are mine all (gahn) &
some (gwing) there ‘re mine there
(Nmmmm N gahn) with cloth of evrygind to be(e) there N rrr but some there ‘re mine all (gahn) &
some (gwing) there ‘re mine there
(Nmmmm N gahn) with jewels of everygind to be(e) there N rrr but some there are mine all (gahn)
& some (gwing) there ‘re mine there
(Nnng N gahn) with hoganorses of evrygind to be(e) there N rrr but some there are mine all (gahn)
& some (gwing) there ‘re mine there
(Nnnn N gahn) with sheep of evrygind to be(e) there N rrr but some there are mine all (gahn) &
some (gwing) there ‘re mine there
(Nnnn N gahn) with cattle of evrygind to be(e) there N rrr but some there are mine all (gahn) &
some (gwing) there ‘re mine there
(Nnnn N gahn) with men of evrygine to be(e) there N rrr but some there are mine all (gahn) & some
(gwing) there ‘re mine there
(Nnnn N gahn) my howse of precious cloth in my backgwingNgahn N nnn but some there are mine
all (gahn) & some (gwing) there ‘re mine there
(Nnnn N gahn) the house mmm precious cloth we walk (p)pon & nnn but some there are mine all
(gahn) & some (gwing) there ‘re mine there
(Nnnn N gahn) & everything that’s there before & mrrr we walk upon & nnnn but some there are
mine all (gahn) & some (gwing) there ‘re mine there
(Nnnn N gahn) & everything that’s more & won’t be poor N gwing N gahn nnnn but some there
are mine all (gahn) & some (gwing) there ‘re mine there
(Nnnn N gahn) my horses that are living to be old & blesst naht nnnn but some there are mine all
(gahn) & some (gwing) there ‘re mine there
(Nnnn N gahn) because I am the boy who blesses to be & dlll but some there ‘re mine all (gahn) &
some (gwing) there ‘re mine there nnnn N gahn
All ahrenow some ‘re there & mine all (gahn) & some (gwing) there are mine all (gahn) & some
(gwing) there ‘re mine there nnnn N gahn
All ahrenow some ‘re there & mine all (gahn) & some (gwing) there are mine all (gahn) & some
(gwing) there ‘re mine there nnnn N gaah!

Dorothy Demetracopolou Lee

"Some years ago, I published a book of selections of my articles. I had written them for my colleagues as a form of communication. When they appeared as a book, they were used in undergraduate courses. And I found out, with horror and guilt, that the students I talked to had found the truth. I was the author, I gave the authoritative statements. I could not even argue with them because they answered me back from the authority of my book. I felt that I had dumped a load of gravel on new, thin, weak, gloriously alive grass, or even on seed that had never had a chance to sprout."

1976. Valuing the Self. Prospect Heights, IL: Waveland Press.

Walter of Chatillon

Satirical Poems:

"1. Tanto viro locuturi
studeamus esse puri,
set et loqui sobrie,
carum care venerari,
et ut simus caro cari,
careamus carie.

2. Decet enim, et hoc unum
est inprimis oportunum,
ut me ipsum iudicem;
homo vetus exuatur,
homo novus induatur
ante tantum iudicem.

3. Commendarem mundi mores,
set virtutis amatores
paucos esse doleo;
quod si pravos reprehendam
et eis non condescendam,
bella michi video."

Basa Andere--Rufus C. Camphausen

"(Basque, 'forest-woman') In Basque legend Basa Andere is said to be a beautiful woman, 'perfectly shaped' for love and covered all over with soft, golden hair like a cat's. This Basque 'wild lady' can usually be met near a sunlit stream in a forest, where she awaits the wanderer while combing the hair of her soft belly with a golden comb.

It is said that the pleasure of making love to a Basa Andere is so intense that a man will die from it at the height of his orgasm. The dead are found with their backs arched in the agony of unimaginable pleasure.
(From The Encyclopedia of Erotic Wisdom by Rufus Camphausen, 1991. Rochester, Vermont: Inner Traditions)"

ARDAT-LILE They are noted for the voracity of their sexual appetites, and for the delight they take in doing harm to mankind.

BASILISC A monster who comes into existence as the result of some deviant sexual act, most commonly, sodomy.

CENTAURS Much more than the Satyrs, the Centaurs were forever lecherously inflamed.

CHUIAELS (or CIJURREYLS) Hindu succubi who perform fellatio until the very life is sucked out of the enraptured victim.

CORYBANTES Asiatic - orgiastic rites and wild dances.

DRUJAS (or DRUJES) noted for their raging lust, deceitfulness and general corruption. They delight in "crime and pollution," and their main objective is to lure others to ruin, pain and depravity.

Stanley Diamond

The Uses of the Primitive:

"contemporary states forge or ignore history; create political myths which propagate the official version of human nature and an inevitable past that wholly justifies the present. The capacity to create primitive myths that explore the ambivalence of man, and the incessant struggle for a common human identity simply withers like an unused human muscle."

the author finds himself rediscovering the flaw in the monolith--human nature--and the necessity of a more existential realization through a more primitive expression.

nobody / spamrobotmultidentity

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gherardo bortolotti

some errors of appraisal



2877.
on the just future one, on the ambition, to twisted, limitlessly perfectible trusting in scorrette on immigration or the grammar and in the distribution of the long sense the tree that I suppose to advertising, from the common places, attributed, in of the speech that I have undertaken, of which desires and malafede. kristine debell. compromises to the decrease between yours of possibilities, deturpati from some installations taken with the life like real object

1702.
and grammaticale. scaling light, of the evidence of the world to the persons who I have loved, than has own life to me on the talent that some voices you slags, occupy the warehouses of mine of the average, the notion of my existence confidence in just the destiny, on rio futuro, sull' ambizione, a torto, illimitatamente perfettibili. fiducioso nella scorrette sull' immigrazione o la grammatica e nella distribuzione del senso lungo l' albero che suppongo a pubblicitari,

1782.
dai luoghi comuni, da attribuivano, in del discorso che ho intrapreso, di cui desideri ed malafede. kristine debell. compromessi al ribasso tra i tuoi di possibilità, deturpati da alcune installazioni prese con la vita come oggetto reale e grammaticale. scalando luce, dell' evidenza del mondo. alle persone che ho amato, che mi hanno propria vita sul talento che alcune voci ti scorie, occupano i magazzini della mia dei media, la nozione della mia esistenza

1632.
fiducia nel proprio destino, sulla spinta del e the rooms less attended the capitalistico way of production abstraction of the procedures and erections in my office, psiche, infesting my dreams in a drawing-room of mark to areas of your choice excesses of have more want than in the investments in entroterra of the production way capitalistico. the medium values "to avoid the manipulation and the symbolic participation". dissipation of the narrating voice

1390.
goes industrial panoramas to you opacity of the frustration, arranged in the arc of the chaos of ipermercato. the regions of mine of characteristic moments of the failure, to the opinions week some products with labels like: fact to suffer, to which international finance I do not use methodical of drugs, in occasion whose rests of sintagmi. the wars in Yugoslavia pensado to the future, are dissipated, like heat fidelity to the thought that I cannot attend,

1762.
because occupied from others, from the slogan social operating jargon of of own of loading thinking itself, the pyramid however, like closings of mental operations of my feelings failure of the sleeping partner fantascienza not suspicion not even the existence in foreign lands sum zero, like chosen of shirts, to think a vanguard appearing of the spirit arranges experts skirmishes of an imminent desperation email headings, rammemorazioni of far evenings, cover